Madhyamavathi, as said earlier, is S R2 M1 P N2 S and same backwards…. See how raja has stressed on the raga flavour right at the start by the way SPB sings “thalaattu”….Just do this mini exercise…after you sing for yourself the pallavi of the song thalattu, dive to “thunbam endrum aanukkalla” charanam from “thulli thulli”…You would have no problems shifting to back “thalaatu” once you finish “thulli thulli charanams”… another good example would be “Thazham Poovae Vaasam from Kai Kodukum Kai” The entire pallavi is a neat usage of madhyamavathi. So why not start off with Thaalattu Pillai Ennai from Achchaani. it has a lullaby kind of touch to the melody.Ilaiyaraaja’s use of Madhyamavathi thus can be summarized as “Thalaatu”…Yes, madhyamavathi usages by IR are (90%) hypnotic lullabies. Over 40 known madhyamavathis of IR.but no repetitive tunes.each unique.Gifted we are to live in his era. Madhyamavathi Vennilavu Kodhipadhenna Chinna Mapillai Madhyamavathi Vanna Pandhai Thottu Vilayaada Chinna Vaathiyaar Madhyamavathi Vanamellam Senbagapoo (male version) Naadodi Pattukaaran Madhyamavathi Thulli Thulli Sippikkul Muthu Madhyamavathi Thazham Poovae Vaasam Kai Kodukum Kai Madhyamavathi Thanga Nilavukkul Nilavondru Rickshaw Maama Madhyamavathi Thaalattu Pillai Ennai Achchaani Madhyamavathi Suvvi Suvvi Swathi Muthyam (Telugu)
Madhyamavathi Solaikuyile Ponnu Oorukku Pudhusu Madhyamavathi Sevanthi Pookalil Seidha Veedu Mella Pesungal Madhyamavathi Sembaruthi Penoruthi Raman Abdulla Madhyamavathi Puthu Ponnu Mapillai Kaadhal Rojaave Madhyamavathi Ponnu Veetu Kaararae Kelunga Ponnu Veetukkaran Madhyamavathi Pon Vaana Poongavil Vaalibamae Vaa Vaa Madhyamavathi Pon Meni Urugudhe Moonram Pirai Madhyamavathi Nee Thane Enthan Ninaivellam Nithya Madhyamavathi Nila Kayidhu Sakalakala Vallavan (touches of sri ragam, sriranjani) Madhyamavathi Muthu Muthu Nammura Mandaara Hoove (Kannada)
Madhyamavathi Maragadha Kutti Chinna Durai Madhyamavathi Mangalam Nerunnu Alliyilam Poovo (Malayalam) Madhyamavathi Kuyile Kuyile Kuyilakka En Bommukutty Ammaavukku Madhyamavathi Kuyile Kuyile Aan Paavam (bubbling with enthusiasm) Madhyamavathi Kumbam Karai Sertha Thangayya Kumbakarai Thangaiyya Madhyamavathi Kavithai Paadu Kuyilae Thendralae Ennai Thodu (Mixes Brindavana Saranga) Madhyamavathi Kathirum Kothi Man Of The Match (Malayalam) Madhyamavathi Kannil Ilam Aayiram Nilave Vaa Madhyamavathi Halo Guru Nirnayam (Telugu) Madhyamavathi En Kalyana Vaibhogam Azhaghe Unnai Aaradhikiren Madhyamavathi Ejamaan Kaaladi Manneduthu Ejaman Madhyamavathi Eeramana Rojave Ilamaikalangal Madhyamavathi Chittu Chittu Kuruvikku Azhaghi Madhyamavathi Bhoodyaaviyaa Habba Habba Boomi Geetha (Kannada) Madhyamavathi Azhagiya Thirumaganae Rajarishi Madhyamavathi Azhagaana Manjapura Ellame En Raasathan (bliss this one) Madhyamavathi Arule Arul Maniye Kavalai Padathe Sagodhara Madhyamavathi Anandham Then Sindhum Mann Vasanai
Madhyamavathi Adi Pennae Ponoonjal Aadum Mullum Malarum Madhyamavathi Ariro Araro Indiran Chandhiran Madhyamavathi Aagaya Gangai Dharma Yudham This is raag madhmath sarang in hindustani.s ri2 m1p ni2 s.madhyamavathi in carnatic.In this Yaara sili sili song, a slight touch of ga2 adds to the beauty of the charanamsĬoming back to Raaja.Thalaivar's madhyamavathi list is big. Check this spine chilling cool tune and rendition.the power of traditional Rajasthani folk music brought out by Lata ji so well.